The Tears of Christ from The Four Holy Gospels
MOBIA (the Museum of Biblical Art) is one of my favorite destinations when I visit New York City. This summer they will host an exhibit commemorating the 400th anniversary of the King James Bible, featuring both historical works and abstract paintings by Makoto Fujimura made for his new book, The Four Holy Gospels.
The book, commissioned by Crossway publishers, references the centuries-long traditions of handmade illuminated liturgical books – full-page illustrations before each section, smaller illustrations throughout, and decorated letters to begin chapters. But Fujimura's, of course, are completely modern.
The book, commissioned by Crossway publishers, references the centuries-long traditions of handmade illuminated liturgical books – full-page illustrations before each section, smaller illustrations throughout, and decorated letters to begin chapters. But Fujimura's, of course, are completely modern.
Matthew 3:1-5 from The Four Holy Gospels
Although I have seen only a few images from the book as yet, to me the project is exciting in many ways. Artistically, because Fujimura is one of the most accomplished abstract artists alive, and his powerful work moves even many who are unfamiliar and uncomfortable with modern art. Theologically, because of the potential for a new type of image to aid contemplation of the gospel texts. Practically, because it is a commission. A committed group of believers thinks it is important enough to pay an artist to do this work.
"The true purpose of art is the same as the true purpose of anything; it is not for ourselves or for our own self-expression, but for the service of others and the glory of God."
Philip Graham Ryken